Wednesday, 6 August 2014

The Peak Prints Project

Images from the Peak Prints Collection
The Peak Prints Project highlights both the art of the wood engraver and the place known as the Peak District.
This area of Middle England is highly suitable for the art because of its plethora of woods and stones, crags and deep river gorges, ancient carved stones and picturesque farms, fields and barns. But hardly any wood engravings of these subjects have been done!
The project has been sponsored by Nicholas and Ruth Pitts-Tucker. The aim was to ‘encourage wood engravers to engage with the Peak District, and local people to engage with this art form.’

They invited 12 leading wood engravers to stay through the course of the year over a number of long weekends. As a result 40 engravings have now been produced which are being sold in editions of 25.

The prints are now being displayed in exhibitions at different locations within the Peak District.

You can also buy prints via the website where you can see which prints are for sale and you can order them. Click on an image to see the individual image a bigger version of the image which he or she has created

Artists


The participating artists are:

I'm the owner of prints by both Hilary Paynter and Sue Scullard and can speak very highly of the quality of their work

Exhibitions

You can see The Peak Prints at the following exhibitions in and around the Peak District.

25th July – 7th August 2014Beechenhill Farm
Ilam
Ashbourne
Derbyshire DE6 2BD UK
Telephone 01335 310274
Email stay@beechenhill.co.uk
Website www.beechenhill.co.uk

15th August 2014 – 28th August 2014
Longshaw
near Sheffield
Derbyshire S11 7TS
Telephone 01433 637904
Email peakdistrict@nationaltrust.org.uk
Website www.nationaltrust.org.uk/longshaw

6th September 2014 – 20th September 2014
Wirksworth Festival
Wirksworth
Matlock
Derbyshire DE4 4FG
Telephone 01629 824003
Email info@wirksworthfestival.co.uk
Website www.wirksworthfestival.co.uk

4th October 2014 – 19th October 2014
Derwent Gallery
Main Road
Grindleford
Hope Valley
Derbyshire S32 2JN
Telephone 01433 630458
Email robin.ashmore@btconnect.com
Website www.derwentgallery.com
Open Wednesday – Saturday 10.00am – 5.00pm
Sunday and Bank Holidays 10.00am – 4.00pm

19th October 2014 – 25th October 2014
George Inn Barn
Altonsfield
Derbyshire

Sunday, 1 June 2014

Susan Abbott - sketching and painting plein air

I caught up with this post The Travel Bug by Susan Abbott on her Painting Notes blog.

You can see her recent watercolour sketches of Paris on her blog A Painting Year and on her website (see below) - plus her plein air oil paintings. What I really like about her watercolour sketches and paintings is how she has a very consistent and recognisable colour palette and the way in which she keeps all her colours fresh and never muddy!


Plein Air Watercolours by Susan Abbott


For those planning plein air painting this summer check out her blog posts about painting plein air which she wrote last summer:
  • Plein Air 101 - provides a number of tips for effective working plein air
  • Plein Air 102 - covers her kit for watercolour and oil painting plein air

Wednesday, 30 April 2014

American Paradise: The World of the Hudson River School

Cover of the exhibition catalogue re. American Paradise: The World of the Hudson River School

American Paradise: The World of the Hudson River School


You can download this catalogue of the exhibition American Paradise: The World of the Hudson River School at the Metropolitan Museum of Art. The exhibition was held between 4th October 1987 and 3rd January 1999.

The reproduction qualities of the pdf copy available for download on the Metropolitan Museum of Art website is very good.

You won't find it by including the title in the websites' search facilty. Instead you need to know to go to their MetPublications website

The title is out of print hence why the Met is making it available online.  You can also:

About the exhibition


Prior to 1987, the Metropolitan Museum of Art has focused on individual artists when mounting major retrospectives and had highlighted prominent American artists in doing so.

This exhibition was the first time a major retrospective had been undertaken of an important school of art unique to the USA. The book and the exhibition represented a summary of the (then) current scholarship relating to the Hudson River School.

The exhibition - and the catalogue - brought together some of the finest and most historically important of the paintings associated with the School.  It also provided a survey of the work of the various artists involved with the School.

Prior to this exhibition, there had been three initiatives by museums in the USA to highlight the art, scope and role of the Hudson River School

  • 1917 - the Museum had held a much smaller exhibition - Paintings of the Hudson River School;
  • 1945 - the Art Institute of Chicago mounted the The Hudson River School and the Early American Landscape Tradition exhibition
  • 1949 - The Museum of Fine Arts in Boston published a book about M. and M. Karolik Collection of American Paintings, 1815–1865 


The Hudson River School


The Hudson River School was America's first true artistic fraternity. Its name was coined to identify a group of New York City-based landscape painters that emerged about 1850 under the influence of the English émigré Thomas Cole (1801–1848) and flourished until about the time of the Centennial.

This is the webpage for the Hudson River School in the Heilbrunn Timeline of Art History on the Met's website


Monday, 24 February 2014

Pete "The Street" Brown paints plein air

This is a video of a very hard-working plein air artist - Peter Brown NEAC ROI RSPP PS aka "Pete the Street".  You can see his artwork in the Annual Exhibitions of various national art societies at the Mall Galleries including:
He's based in Bath and can often be seen painting on the streets of Bath.  To my mind he paints with what I'd call a "very English palette" - lots of muted coloured greys.

There's an article about him in the February 2014 edition of Artists & Illustrators Magazine - available in print and digital versions.

Click the link in his name to visit his website.

Saturday, 1 February 2014

Landscape Pictures - Notes #1

"Landscape Pictures" is a new type of post for this blog. The aim is to have a periodic round-up about recommended blog posts and articles about landscape art - with an emphasis on those with decent images and places you can see landscape paintings. It will also allow me to highlight blog posts by artists just because I like the painting!

LANDSCAPE ART - ANNUAL REVIEWS


Prolific plein air painter Haidee-Jo Summers artist reviewed her plein air painting year and exhibitions in four posts which include lots and lots and LOTS of plein air landscape paintings
Michael Chesley Johnson (A Plein Air Painter's Blog)has a post which lacks visual interest but reflects on which of his blogs posts in 2013 have been of most interest to Plein Air Painters - see Top 10 Posts for A Plein Air Painter's Blog
Galley Hill Allotments in the snow by Haidee-Jo Summers 
Winner of The Best Picture (Landscape) 2013

In my Making A Mark Art Blog Awards - on Making A Mark
He regularly includes lots of very useful tips relating to plein air painting and painting generally - and very obviously thoroughly enjoys his plein air painting. This particular post A Plein Air Set Up For Watercolor  (posted last month) almost deserves an award all to itself! 
  • The 2013 winner of The Travels with a Sketchbook Trophy was Pete Scully (Pete Scully)
He draws the routine and the mundane in the area where he lives and the places he visits and makes most places look interesting. He opens my eyes and remind me again and again about how sketching starts with learning how to see.

LANDSCAPE ART COMPETITIONS

 

The 2013 Fleurieu Art Prize claims to be the world's richest landscape painting Prize (AU$60,000) and attracts both Australian and International Artists. Do you know different?  To see the list of 2013 finalists go to the Finalist Page.

Two competitions/exhibitions for landscape photographers:



LANDSCAPE ART HISTORY


America’s Forgotten Landscape Painter: Robert S. Duncanson is a blog post by the Smithsonianmag.com site.  Robert Seldon Duncanson is a 19th century African American artist I'd never heard of before who trained in painting in Glasgow, Scotland.  You can see more of his work on Wikimedia Commons.

Robert Duncanson - Land of the Lotos Eaters
Robert Duncanson - Land of the Lotus Eaters
Two paintings by Claude Monet of the cliffs at Etretat
One of the enduring motifs of landscape painting on the coast of Normandy are the famous chalk cliffs and stacks of Étretat. Charley Parker (Lines and Colors) has done a very interesting post which displays paintings by various different Painters of the cliffs of Étretat

The Standard Examiner has a fascinating piece - sadly with no images - about Top of Utah Voices: Landscape painting in the round.  However the word pictures are stunning!
Painters who utilized the art form and travelled with their depictions faced a daunting task of transporting these large works of sometimes dozens of paintings attached to each other and unrolled scene by scene. Some were advertised as being three miles long and taking over an hour to view. Usually 12 feet in height and rolled up on poles which, when unrolled by an assistant, gave the viewers a tour of the chosen scenes the painter portrayed while the artist (standing on a platform) described them.


LANDSCAPE PAINTING - EXHIBITIONS


Art In Liverpool's post 'Turner: Travels, Light and Landscape’ at the Lady Lever highlights an exhibition which runs from 14 February to 1 June 2014 at the Lady Lever Art Gallery in Port Sunlight Village, Lower Rd, Wirral CH62 5EQ.  Turner: Travels, Light and Landscape comprises some 30 watercolours, paintings and prints, drawn from the National Museums Liverpool’s own Turner collection.
Paintings such as 'Margate Harbour' (1837) and 'Linlithgow Palace' (about 1807), will be shown alongside prints and watercolours that are rarely displayed due to their light-sensitivity. This will include the watercolours 'Dudley' (about 1830-33), 'Off Dover' (between 1820-1827), 'Wells Cathedral' (1795-96) and 'View of the Mole' (about 1818).
New Turner exhibition at the Lady Lever Art Gallery in Port Sunlight - opens 14th February 2014

Recording Britain is a touring exhibition organised by the Victoria & Albert Museum, London. It can be seen in the Sir William Harpur Gallery at The Higgins in Bedford until March 20th 2014.
At the outbreak of the Second World War an ambitious scheme was set up to employ artists on the home front. The result was a collection of more than 1500 watercolours and drawings that make up a fascinating record of British lives and landscapes at a time of imminent change.
I've already bought the catalogue for the exhibition and it's absolutely fascinating.  I think this is one exhibition I'll definitely be going to see.  I'll be writing more about the project on this blog.

A National Art: Watercolour & the British Landscape Tradition can be viewed at the Wixamtree Gallery at The Higgins Bedford until Sunday 27th April 2014
The exhibition, drawn entirely from the Cecil Higgins Art Gallery collection of works on paper, explores the landscapes of the late 18th century and early 19th century watercolourists and how they influenced their 20th century counterparts. The work of Cotman, Girtin and Turner will be shown alongside that of Nash, Ravilious and Piper in a celebration of the British landscape and its ideal medium, watercolour. It is part of a season of exhibitions exploring the idea of landscape, which includes Recording Britain and Bawden's Britain.

This one takes some beating when it comes to exhibitions of landscape art. Culture 24 introduces The best art exhibitions to see in Wales in 2014 and starts with a new exhibition in Cardiff thus 

How about this for a new take on landscape painting? National Museum Cardiff’s Wales: A Visitation. Poetry, Romanticism and Myth in Art, (February 22 - September 7) takes the neo-Romantic work of David Jones, Graham Sutherland, Richard Long and contemporary abstract landscape painter Clare Woods and wraps it around an LSD-infused trip to Wales made by beat poet Allen Ginsberg in 1967.

PLEIN AIR PAINTING


Katherine van Schoonhoven (Art and Music) has an interesting review post of a trip to the coast of California when she painted the same place at different times of the day. The timescale panorama in learning from the plein air line up
is fascinating.

"View of Pescadero" Mexico, plein air, landscape painting by Robin Weiss on the In Plein Air blog is a great visual report of a landscape painting

Tuesday, 24 December 2013

Tate Pictures: Winter Solstice

Click the frame icon above the small thumbnails
to see the paintings in large slideshow
Tate has put up a themed collection of artwork on its website relating to the theme of Winter Solstice

It includes a number of landscapes and streetscapes of places in winter and by artists of different eras and styles.

Click the box icon to see the slideshow version which is excellent.

The paintings are:

Wednesday, 18 September 2013

Paintings of Australian land and landscape at the RA

You can read my review of the new exhibition 'Australia' at the Royal Academy of Arts here - Making A Mark: 'Australia' Exhibition at the Royal Academy - review.

It includes paintings from 1800 through to this year's winner of the Wynne Prize.

Left - Australian Impressionists
Right - Federation Landscapes - in watercolour

'Australia' at the Royal Academy - 21 September 2013 to 8 December 2013
Exhibition organised by the Royal Academy of Arts, London in partnership with the National Gallery of Australia
Given the narrative covering the last 200+ years, I'm aiming to revisit specific aspects of the exhibition on this blog.

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